Jump Temp – No FTL Communication

In Jump Temp, there is no FTL communication. That is, aside from a starship. Starships in the process of jumping can send and receive radio signals on both ends of the jump. This makes data channels between star systems possible but only when there’s a constant and unbroken stream of ships traveling in between systems.

It might be practical for planets to have small fleets of jump drones that communicate with nearby star systems. This would help to get vital information in between systems. Commercial endeavors may even deploy their own arrays of jump drones and rent out their communication bandwidth to the highest bidder.

However, there’s another wrinkle to light speed communication. Even at the speed of light, radio takes minutes to travel between earth and the perimeter of where a jump drive can start to deliver the ship faster than light.

That means that when a ship enters a system it could take several minutes for anyone to hear their communications.

That makes Star Trek style video chat impractical except at distances of less than 400,000 kilometers (about 1 light second). The vast majority of communications would likely be similar to text messaging.

Jump Temp – Drive Signatures

Every starship has drive systems that propel it through space. The drive energy is noticeable because of the photons that are emitted. Not only can it be seen, just by measuring the light and it’s spectrum, the model of drive system can be identified. If a drive is modified, it may give off a unique signature but even then a guess could be made as to what the original model was.

Just by observing the drive’s output and the vessel’s speed, a skilled observer can calculate the mass of a ship. Just knowing the mass of a ship can give away what model of vessel it is, whether it is carrying cargo and possibly how many crew are on board.

Controversy

Some feel that any ship that enters a system would automatically detected and there would be no way to hide in space. Personally I don’t see evidence for this thinking. Despite having many telescopes at their disposal, NASA could not see the Cassini space craft or it’s thrust plumes even though it’s the size of a small school bus. If they could have, in any way, recorded the probe’s decent into Saturn’s atmosphere they would have gladly showed them. This included a 100% thruster burn as it entered the atmosphere.

The problem is resolution and luminosity. The distances in a star system are enormous and that makes imaging a object smaller than a large moon difficult. The more powerful the drive, the further away it could be observed because of the light it emits. Some drives, like plasma drives may be harder to observe. Chemical and especially nuclear drives would be observable from much further away but at eight light minutes away (1 Astronomical Unit) a telescope would still have a hard time picking these drives up.

In the Jump Temp universe, a large portion of the outer solar system is easily accessible via jump drive. A ship jumping around the outer regions of the solar system could be easily hidden by jumping behind various stellar bodies.

Jump Temp – Crew Compartment

A lot of thought has been put into what the crew compartment of a space ship would need to look like. This is no simple puzzle, because a ship that tumbles end over end to produce artificial gravity has strange requirements. The crew compartment would likely have the floor, where the crew’s feet point, be where you would traditionally think of as the front of the ship. But when the vessel was accelerating, the floor would have the occupants looking up in the direction the ship is headed.

Unfortunately it’s nearly impossible to get enough acceleration out of a realistic drive system to simulate anything more than a tiny fraction of earth’s gravity. This would require a ship to tumble or spin on it’s drive axis as it travels. Only larger ships can spin on their axis, because rotating a small ship would not have a large enough rotational radius to properly simulate gravity. With too small a radius, a passenger’s head would experience less gravity than their feet, causing blood to pool in the legs.

A small ship might only tumble when it was jumping, allowing for a period of artificial gravity in between long trips. In this time, a passenger would have to exercise to mitigate bone loss.

It might also be possible for the drive system to pulse on and then shut off as the ship tumbles, allowing for artificial gravity while flying and giving the drive system a duty cycle time to shed waste heat. This would give the passengers longer exposure to artificial gravity and reduce bone loss.

In this way, the nose of a ship would frequently be seen as “down” to the crew, even as they flew in the direction the nose points when the drive fires.

The crew cabin itself is likely to be an open area with sleeping bags arranged on the “floor” but could also function as a restraint system in the event of dangerous accelerations or times when the ship isn’t spinning or tumbling.

There would be one small room that could provide some privacy. The bath room would probably be the only private place on the ship. It would probably also serve as a radiation bunker that the whole crew would have to cram themselves into during radiation storms. Heavy radiation shielding around the whole cabin would be expensive and would require more fuel because more mass means more fuel is expended to accelerate the ship.

As such, the ship would need to be piloted at times from the bathroom. Just in case you were wondering.

Larger ships would likely spin on their axis. Down would become the exterior of the ship. As such, climbing toward the center of the ship on a ladder would cause a quick reduction in the apparent strength of the artificial gravity. Climbing all the way to the center of a vessel might result in severe disorientation for some.

For a ship with “Comfortable Quarters” a small room, big enough to house a small bed and a possibly a tiny desk and chair are all that is implied here. Walls are heavy and an actual bed is a luxury that requires fuel to move.

Jump Temp – Electronic Lockpick

So I made a bunch of pre-gens characters for the con game at Queen City Conquest this past weekend and one of the characters had a piece of equipment that isn’t in the book, an electronic lock pick device. My son said “Whoah! Where did they get that?” I chuckled and replied that you can make any kind of equipment you like with agents. But examples are nice so here it is.

Electronic Lock Pick
Cost 3d
Pool 1d
Technical trait Unlock Doors 2 Steps

It’s really that easy!

Jump Temp – AI Proliferation

The question comes up frequently, can an AI simply copy itself a billion times and make itself more powerful?

By necessity, there would have to be a system in place that keeps this from happening or malicious AIs would just take over everything, just because they could means someone at some point would make one that did.

It’s possible that AIs are actually constellations of programs that really do copy themselves all the time and that’s just how they function.

But how would one prevent an AI from copying itself onto billions of computers? Maybe they operate like crypto-currencies that can be transferred but not copied.

It may be that there are special requirements to copy an AI. It could be that the program simply won’t allow itself to be copied. If that were the only safeguard though, someone would make an AI that would turn itself into a virus.

There has to be something about the architecture of the AI that will not allow it to copy itself. A blockchain validation would fit this bill. There could be something in the neural network that prevents copying too.

Jump Temp – Proc Coins

In Jump Temp there are dozens if not hundreds of currencies. Shady governments may offer payment in their own currency that they know is almost worthless anywhere else due to bad credit.

One solution is to use a crypto-currency, of which there are many. These currencies are data packages that can be transferred but will not allow copying. Forging a crypto-currency is very difficult and most competent AI’s can sniff out a fake in short order. This makes them very handy for independent operators without a reliable data connection.

One feature that some crypto-currencies have is that they can be traded for a real world thing. Proc Coins are one such currency. They can be traded for the use of a distributed net of AIs. For every money agent die, a character can “rent” time on this AI net to solve or help solve information based challenges. Each money die spent in this way becomes 1d of an AI assistant.

Using Proc Coins this way requires a working data connection and the AI cannot be influenced to do anything illegal. The AI assistant is available until it’s dice deplete.

Jump Temp – Caretaker AI

So if I hire you to take a gold brick across town to the bank, how do I ensure you won’t just run off with it?

This problem comes up in star travel frequently. By definition the cargo has to be at least as and preferably much more valuable than the resources it takes to transport it.

Because of this, many high value shipments require a ship to have a caretaker AI enter their computer systems.*

Caretaker AIs come loaded with some powerful software that can disable a ship and even fight against another AI with dangerous attack programs.

Energy Pool 4d

Trait – Attack Program 8 steps

*Even if a ship does not have a special system designated as a computer, all ships have computers, they’re just unmentioned because their capabilities are limited. A starship would not be able to function without computer control.

Player Narration

The Energy System allows the players to narrate or better yet interpret, what the results of their rolls are. Some players have a bit of trouble with that and understandably so, since in most games they are passive when it comes to narration.

Because of this, I’d like to give the players some simple processes that would help them think through narration (or interpretation).

GMs do narration all the time, they’re used to it. Fill a table with players that have been GMs and I think there would be no problem. Some players think they could never GM. It seems magical to them how this person comes up with all this stuff.

To make the choices simpler I thought about introducing a list of ideas to develop the players narration but it ended up being either too vague to be useful or way too long and overwhelming.

So I need a different strategy. It needs to be concrete as possible for the players to easily absorb the advice.

I actually have a goal for player narration in the Energy System and that is for the narration to explain the dice roll as much as possible. That, I think, is key to this effort.

Of primary importance are dice depletions in this system and so I think that should be the focus of the players “interpreting” their rolls. Encouraging the players to say how each die depletes and why would be a great step forward.

In their early stages, with a player struggling to develop their narration skills, the GM can readily help out at this point. I’m thinking of something akin to Archipelago’s ritual phrases are in order. They don’t have to be as robust, they just have to be functional for the prompting we want to do. If there are phrases that are standardized, they’re less surprising when said, they are much more likely to be supportive than unintentionally demeaning and are probably easier for the GM to recall and use. This also conditions the players to expect GM intervention in their narration which is occasionally needed if the player is narrating something that contradicts known facts (even if it’s only the GM that knows them at the moment).

As the player gets more fluid in their narration, they will need less and less prompting. I can imagine a rules lawyer player using their narration as a weapon to suss out secrets from the GM, but that’s a problem for a different day.

Here are some prompts to help the players interpret the events connected to their rolls.

What made it go that way? – Prompting the player to start off a description.

What mistakes were made? – When the player hasn’t described a depletion.

Keep going – When you want the player to add more narration either because they’re doing well or they’ve stopped before fully explaining the roll.

Think of other ways  – When the player uses the same description again.

That can’t be – When the player contradicts facts that they may or may not be aware of.

I’m not sure if these are the best phrases to use, I’ll try using them in our next session and see how it goes.

Relationships in the Energy System

I realized today that relationships in the ES should be their own agent. This gives a relationship actual mechanical power in the game. It could be rolled against by any person in the relationship and like any other agent, it can be depleted.

This makes things really interesting because you can use the relationship to influence the people in the relationship, but using it too much (abusing it) can make it fall apart.

It could also be used to explain what happens if an NPC has their energy depleted via social attacks. They would essentially be “reborn” as a relationship to the player character.

The GM could bestow a relationship agent to a character if they think the situation warrants, the players could also use an advancement phase to build their own.

There’s a bunch of different types of relationships that would be interesting. Love interests could be used to fight aggressive actions. If you had a Hate relationship, it could help with tests of endurance when going after your enemy.

You could even model a Mentor relationship with this because the mentor can help with training rolls but when the relationship depletes the Mentor has taught all they can, or all they’re willing to teach.

I’m debating if I should formalize this in Jump Temp. On the one hand, it really should be a function in any game, but I’m not really sure if it fits in the Jump Temp story.

Jump Temp Book

I got my first hard copy of Jump Temp! Woooo!

Getting a hard copy always helps with figuring out what the finished product should look like. For example, some of my image placements need to be moved to the other side of the page so they’re not in the crease of the book. At least one picture needs to be moved to another page.

Another thing that becomes obvious is that since a color print is needed for the star maps and most of the art is black and white, there needs to be a lot more color on the pages from layout elements.

So far I haven’t run into typos yet, but it would be a rare thing to have caught them all by this stage.